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	<title>Arden Bendler Browning</title>
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	<description>Art, works on paper, botanical, collage, cut-outs, paintings</description>
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		<title>New work at Philadelphia International Airport, Terminal E</title>
		<link>http://www.ardenbendlerbrowning.com/?p=164</link>
		<comments>http://www.ardenbendlerbrowning.com/?p=164#comments</comments>
		<pubDate>Thu, 16 Feb 2012 16:16:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Installation Views]]></category>
		<category><![CDATA[News]]></category>

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		<description><![CDATA[&#8220;Upheaval&#8221;, a nearly 29&#8242; long installation, is now on view in Terminal E of Philadelphia International Airport.  The work will be displayed through late July 2012. Philadelphia International Airport Art &#038; Exhibitions]]></description>
			<content:encoded><![CDATA[<p>&#8220;Upheaval&#8221;, a nearly 29&#8242; long installation, is now on view in Terminal E of Philadelphia International Airport.  The work will be displayed through late July 2012.<br />
<a href="http://www.phl.org/art/browning.html">Philadelphia International Airport Art &#038; Exhibitions</a><br />
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<p><!--<br />
<a class="thickbox" rel="" href='http://www.ardenbendlerbrowning.com/wp-content/gallery/upheaval-at-philadelphia-international-airport/upheaval_web_full.jpg' title='&quot;Upheaval&quot;, 2012, acrylic gouache and Flashe on Tyvek (R) Vivia (TM) and wall, 91&quot; X 342&quot;.  Terminal E, Philadelphia International Airport.  Photograph courtesy Philadelphia International Airport.'><img src='http://www.ardenbendlerbrowning.com/wp-content/gallery/upheaval-at-philadelphia-international-airport/thumbs/thumbs_upheaval_web_full.jpg' alt='01 Upheaval' class='ngg-singlepic ngg-none' /></a><a class="thickbox" rel="" href='http://www.ardenbendlerbrowning.com/wp-content/gallery/upheaval-at-philadelphia-international-airport/upheaval_web_detail2.jpg' title='&quot;Upheaval&quot;, (detail) 2012, acrylic gouache and Flashe on Tyvek (R) Vivia (TM) and wall, 91&quot; X 342&quot;.  Terminal E, Philadelphia International Airport.  Photograph courtesy Philadelphia International Airport.'><img src='http://www.ardenbendlerbrowning.com/wp-content/gallery/upheaval-at-philadelphia-international-airport/thumbs/thumbs_upheaval_web_detail2.jpg' alt='02 Upheaval detail 1' class='ngg-singlepic ngg-none' /></a><a class="thickbox" rel="" href='http://www.ardenbendlerbrowning.com/wp-content/gallery/upheaval-at-philadelphia-international-airport/upheaval_web_detail1.jpg' title='&quot;Upheaval&quot;, (detail) 2012, acrylic gouache and Flashe on Tyvek (R) Vivia (TM) and wall, 91&quot; X 342&quot;.  Terminal E, Philadelphia International Airport.  Photograph courtesy Philadelphia International Airport.'><img src='http://www.ardenbendlerbrowning.com/wp-content/gallery/upheaval-at-philadelphia-international-airport/thumbs/thumbs_upheaval_web_detail1.jpg' alt='03 Upheaval detail 2' class='ngg-singlepic ngg-none' /></a> &#8211;></p>
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		<title>Upcoming group show at The Painting Center, NY</title>
		<link>http://www.ardenbendlerbrowning.com/?p=158</link>
		<comments>http://www.ardenbendlerbrowning.com/?p=158#comments</comments>
		<pubDate>Fri, 27 Jan 2012 03:53:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[Shifting Speeds:  Recent paintings by Arden Bendler Browning, Charles Burwell, and Rebecca Rutstein, curated by Andrea Packard The Painting Center 547 West 27th Street, Suite 500 New York, NY 10001 (212) 343-1060 Exhibition Dates February 28, 2012 &#8211; March 24, 2012 Reception Thursday, March 1st, from 6:00 to 8:00 pm Shifting Speeds The Painting Center [...]]]></description>
			<content:encoded><![CDATA[<p><em>Shifting Speeds:  </em>Recent paintings by Arden Bendler Browning, Charles Burwell, and Rebecca Rutstein, curated by Andrea Packard</p>
<p><strong>The Painting Center</strong><br />
547 West 27th Street, Suite 500<br />
New York, NY 10001<br />
(212) 343-1060</p>
<p>Exhibition Dates<br />
February 28, 2012 &#8211; March 24, 2012<br />
Reception<br />
Thursday, March 1st, from 6:00 to 8:00 pm</p>
<p><a href="http://www.thepaintingcenter.org/exhibitions/shifting-speeds">Shifting Speeds</a></p>
<p>The Painting Center is pleased to present Shifting Speeds, an exhibition of recent paintings by Arden Bendler Browning, Rebecca Rutstein, and Charles Burwell, highly regarded artists who prompt us to reflect upon the elasticity of time, space, and perception. In varying ways, these artists explore multi-layered approaches to painting, from the use of screen-printing, templates, and overlapping transparencies, to combinations of broad strokes, evolving patterns, or precise detail. Whether viewing Rutstein’s abstractions exploring the intersection of nature, desire, and geometric constructs; Bendler Browning’s synthesis of alternately sweeping and detailed urban environments; or Burwell’s abstractions developed from varied sources in biology and technology, one must reconcile contrasting modes of perception and representation. In varying ways, these masterfully crafted, complex, and energetic works ask us to shift speeds as we explore both the cacophony and unexpected harmonies of contemporary life. Slowing down and viewing these intricate works at length, we explore the changing interrelationships between inspiration and representation and between interior and exterior worlds.</p>
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		<title>Curator narrated video documentation of &#8220;Collage Perspectives&#8221;</title>
		<link>http://www.ardenbendlerbrowning.com/?p=146</link>
		<comments>http://www.ardenbendlerbrowning.com/?p=146#comments</comments>
		<pubDate>Sun, 04 Dec 2011 23:28:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[by John Thornton.  Watch here:]]></description>
			<content:encoded><![CDATA[<p>by John Thornton.  Watch here:<br />
<iframe width="560" height="315" src="http://www.youtube.com/embed/Unn3qsZ5RPg" frameborder="0" allowfullscreen></iframe></p>
]]></content:encoded>
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		<title>Press for &#8220;Collage Perspectives&#8221;</title>
		<link>http://www.ardenbendlerbrowning.com/?p=137</link>
		<comments>http://www.ardenbendlerbrowning.com/?p=137#comments</comments>
		<pubDate>Sun, 27 Nov 2011 23:07:29 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[Read Edith Newhall&#8217;s review in The Philadelphia Inquirer here Read Kira Grennan&#8217;s review on Inliquid art + design blog here]]></description>
			<content:encoded><![CDATA[<p>Read Edith Newhall&#8217;s review in <em>The Philadelphia Inquirer</em><a href="http://www.philly.com/philly/entertainment/20111127_Galleries____Utopian_Benches__by_Francis_Cape_at_Arcadia_University_Art_Gallery.html"> here </a></p>
<p>Read Kira Grennan&#8217;s review on <em>Inliquid art + design blog</em><a href="http://www.inliquid.com/wordpress/frontpage/five-artists-collage/"> here </a></p>
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		<title>Press for &#8220;Karmic Abstraction&#8221; at Bridgette Mayer</title>
		<link>http://www.ardenbendlerbrowning.com/?p=132</link>
		<comments>http://www.ardenbendlerbrowning.com/?p=132#comments</comments>
		<pubDate>Mon, 21 Nov 2011 15:18:17 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[Edith Newhall&#8217;s review in The Philadelphia Inquirer: read here]]></description>
			<content:encoded><![CDATA[<p>Edith Newhall&#8217;s review in <em>The Philadelphia Inquirer: </em><a href="http://articles.philly.com/2011-11-20/news/30422115_1_paintings-guston-howard-hodgkin">read here</a></p>
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		<title>Press for Arlington Arts Center exhibit</title>
		<link>http://www.ardenbendlerbrowning.com/?p=129</link>
		<comments>http://www.ardenbendlerbrowning.com/?p=129#comments</comments>
		<pubDate>Wed, 16 Nov 2011 17:42:14 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[Lenny Campello in Old Town Crier: read here]]></description>
			<content:encoded><![CDATA[<p>Lenny Campello in <em>Old Town Crier: </em> <a href="http://www.oldtowncrier.com/gallery-beat">read here</a></p>
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		<title>Current group exhibition: &#8220;Karmic Abstraction&#8221; at Bridgette Mayer Gallery</title>
		<link>http://www.ardenbendlerbrowning.com/?p=116</link>
		<comments>http://www.ardenbendlerbrowning.com/?p=116#comments</comments>
		<pubDate>Wed, 09 Nov 2011 13:35:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[Opening November 15, through December 31, 2011 Karmic Abstraction Press Release Group Show KARMIC ABSTRACTION November 15 &#8211; December 31, 2011 FOR IMMEDIATE RELEASE October 6, 2011 Contact: Bridgette Mayer Gallery t: 215-413-8893 f: 215-413-2283 e: bmayer@bridgettemayergallery.com Bridgette Mayer Gallery re-opens with ‘Karmic Abstraction’ November 15 – December 31, 2011 PHILADELPHIA – Closed for renovation [...]]]></description>
			<content:encoded><![CDATA[<p>Opening November 15, through December 31, 2011</p>
<p><a href="http://www.bridgettemayergallery.com/exhibitions/2011-11-15_group-show/" title="Karmic Abstraction" target="_blank">Karmic Abstraction</a></p>
<p>Press Release<br />
Group Show<br />
KARMIC ABSTRACTION</p>
<p>November 15 &#8211; December 31, 2011<br />
FOR IMMEDIATE RELEASE<br />
October 6, 2011</p>
<p>Contact: Bridgette Mayer Gallery<br />
t: 215-413-8893 f: 215-413-2283<br />
e: bmayer@bridgettemayergallery.com</p>
<p>Bridgette Mayer Gallery re-opens with ‘Karmic Abstraction’<br />
November 15 – December 31, 2011</p>
<p>PHILADELPHIA – Closed for renovation for much of 2011, Bridgette Mayer Gallery on Washington Square in Center City, Philadelphia, reopens November 15, 2011. The inaugural show in the expanded and transformed space is a group exhibit of contemporary painting, “Karmic Abstraction”.</p>
<p>The show’s title reflects gallerist Bridgette Mayer’s “interest in the idea of the karmic cycle of an artist’s history of painting and ideas.” The selected works, by sixteen nationally- and internationally-recognized artists reveals, “how, at a given moment in time, standing in front of a work of art, the viewer is faced with the multiple layers and concepts that create a painting as well as a lifetime of ideas, actions and history that make up the career and art history of a contemporary artist.”</p>
<p>The term karma derives from a Sanskrit word for “act” and, in Indian philosophy, describes the ways in which good or bad actions reflect on future existence. This interest with painting’s history and how we come to know it is a matter of concern for artists as well as historians, conservators, and audiences. In addition to whatever they depict, paintings are also about the history of their own making, with decisions recorded in brush strokes, patches of raw canvas, under drawing, and pentimenti. It is increasingly common to see X-ray images and other forms of analysis in the exhibition of paintings as old-fashioned connoisseurship is supported by a phalanx of scientific approaches to understanding the history of a picture. (In September of this year, the Rijksmuseum in Amsterdam announced that they had used florescent X-ray technology to locate a portrait, thought to be of Napoleon Bonaparte’s brother, Joseph, under Goya’s 1823 portrait of Don Ramón Satué.)</p>
<p>The artists in the exhibit reflect notions of how the history of a painting might be apparent on its surface in a number of ways. Some works speak to personal or cultural memory, while others address the traditions of painting or the medium’s capacity to generate a record of its own creation.</p>
<p>Atlanta-based artist Radcliffe Bailey situates his work in dialog with the past by incorporating photographs into his compositions. Odili Donald Odita, a Philadelphia painter, uses color to “reflect the collection of visions from […] travels globally and locally”. Philadelphian Tim McFarlane writes that “relationships between time, memory, and movement form the primary foundation” for his paintings, which have an atmospheric quality as if seen through a filter of recollection. For each of these artists, paintings are a repository for personal and cultural experience and means of reflecting on questions of identity.</p>
<p>Neil Anderson, of Lewisburg, PA, makes paintings that seek to stop time, arresting it at a moment of ideal formal balance. This notion of using painting – the original slow-media – as means of controlling time and pausing at a critical moment, resonates with other artists in the exhibit. Philadelphian Nate Pankratz describes his painting process as an ‘editorial’ one in which shapes are shifted, repositioned, and rearranged, imparting a sense of time and careful revision in the final works. In stark contrast to such deliberation, Los Angeles-based Iva Gueorguieva’s pictures are built of forms that one writer described as, “barely revealed and poised to disintegrate”. Korean-born, London-based painter Eemyun Kang shares an interest in pictorial instability (as Rebecca Rose notes in her essay, Topography of Flux). Arden Bendler Browning (of Philadelphia) also makes paintings that appear on the edge of flying apart, owing to the way they reflect on the artist’s technology-inspired navigation of the urban landscape.<br />
The idea of a painting’s history becoming apparent through familiarity, quotation, or use of borrowed images is also a theme that runs through the exhibit. Philadelphia painter Rebecca Rutstein, whose use of undersea mapping and other geological imagery has earned attention for her earlier works, turns her eye to space exploration in a new body of work. Spatial images – those of black holes in outer space as well as the spiritual spaces of 16th century Italian paintings (such as Antonio da Correggio’s Assumption of the Virgin) – have influenced New York painter Ryan McGinness, creating a swirling confluence of past and future. Others in the exhibit wear their historical connections in more general and allusive ways. New Yorker Leslie Wayne writes of her fascination with 19th century Romantic landscape painters and how their awe before nature is translated into materials-rich abstraction in her practice. It is the history of painting’s use of figuration that inspires Matthew Fischer (another New Yorker), whose aim is to make “abstract paintings that have the pictorial grip of representational paintings: the grip of figure/ground relationships, the grip of volume and atmosphere within imaginary space.” Graeme Todd, of Edinburgh, Scotland, also notes that his “way into art wasn’t through nature, it was through art” and discusses the way ideas suggested by German Renaissance etchings crop up in his taut, layered abstractions.</p>
<p>The value of layering as a means of communicating a painting’s history is also recognized by Philadelphia painter Charles Burwell, whose compositions layer linear, labyrinthine, and biomorphic imagery. Though his works are rich in cultural and historical associations, Burwell is primarily concerned with a painting’s construction, and as such, his works are records of their own imagining, difficult to pin down using language. Los Angeles artist Joe Goode’s long career of exploring various media and images approaches layering in a different way – calling up and revisiting images from his past through photography and self-quotation. “As an artist, you’re always creating your own history,” Goode said in a 2008 gallery lecture. Painter Thomas Nozkowski (New York) also creates work that evades language in its pictorial complexity and richness. Talking about his paintings with writer Francine Prose in an interview, Nozkowski remarked:</p>
<p>The central fact of our lives, of any artist’s life, are the thousands upon thousands of hours we spend alone staring at these damn things, thinking about them. We sit there, and these things just go on, and on, and on. Everything in the world ties into them, everything that’s crossed your mind while you’re working on it. And, if somebody could just get a sense of that fullness in a work of art, it’s working, you’re on the right track.</p>
<p>This notion – that “everything in the world ties into them, everything that’s crossed [an artist’s] mind” seems central to the exhibit as an opportunity to look at abstract painting as a means of exploring the history of objects and artists.</p>
<p>Gallery hours are Tuesday &#8211; Saturday 10:00 a.m. &#8211; 6:00 p.m. &#038; by appointment. </p>
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		<title>Current group exhibition: &#8220;Collage Perspectives&#8221; at List Gallery, Swarthmore College</title>
		<link>http://www.ardenbendlerbrowning.com/?p=121</link>
		<comments>http://www.ardenbendlerbrowning.com/?p=121#comments</comments>
		<pubDate>Wed, 09 Nov 2011 13:34:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[Opens November 3, through December 11, 2011. COLLAGE PERSPECTIVES Works by Chie Fueki, Njideka Akunyili, Elizabeth O&#8217;Reilly, Arden Bendler Browning, and Ken Kewley THE LIST GALLERY, SWARTHMORE COLLEGE November 3-December 11, 2011 Nov. 3: Panel discussion at 4:30 PM Opening reception: 5:30-7 PM Gallery hours: Tues.-–Sun, Noon–5 PM Collage Perspectives]]></description>
			<content:encoded><![CDATA[<p>Opens November 3, through December 11, 2011.</p>
<p>    COLLAGE PERSPECTIVES<br />
    Works by Chie Fueki, Njideka Akunyili, Elizabeth O&#8217;Reilly, Arden Bendler Browning, and Ken Kewley</p>
<p>    THE LIST GALLERY, SWARTHMORE COLLEGE<br />
    November 3-December 11, 2011</p>
<p>    Nov. 3:<br />
    Panel discussion at 4:30 PM<br />
    Opening reception: 5:30-7 PM</p>
<p>    Gallery hours: Tues.-–Sun, Noon–5 PM</p>
<p><a href="http://www.swarthmore.edu/Humanities/art/WillaimDaley.htm" title="Collage Perspectives" target="_blank">Collage Perspectives</a></p>
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		<title>&#8220;Fall Solos 2011&#8243;, Arlington Arts Center</title>
		<link>http://www.ardenbendlerbrowning.com/?p=85</link>
		<comments>http://www.ardenbendlerbrowning.com/?p=85#comments</comments>
		<pubDate>Tue, 25 Oct 2011 02:34:30 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Installation Views]]></category>

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		<description><![CDATA[October 6-December 31, 2011 Arlington, VA]]></description>
			<content:encoded><![CDATA[<p>October 6-December 31, 2011<br />
Arlington, VA<br />
<a href="http://www.arlingtonartscenter.org/aac-exhibition-fall-solos-11" title="Fall Solos 2011" target="_blank"></a></p>
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		<title>Upcoming solo show: Fall Solos 2011, at Arlington Arts Center, Arlington, VA</title>
		<link>http://www.ardenbendlerbrowning.com/?p=84</link>
		<comments>http://www.ardenbendlerbrowning.com/?p=84#comments</comments>
		<pubDate>Mon, 12 Sep 2011 00:37:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.ardenbendlerbrowning.com/?p=84</guid>
		<description><![CDATA[Opens Thursday, October 6, and runs through December 30: Arlington Arts Center Fall Solos 2011]]></description>
			<content:encoded><![CDATA[<p>Opens Thursday, October 6, and runs through December 30:</p>
<p><a href="https://www.arlingtonartscenter.org/aac-exhibition-fall-solos-11">Arlington Arts Center Fall Solos 2011</a></p>
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